Yesterday i was at the “Schallwelle Preisverleihung”, a music award by the small, but very active electronic music scene of germany. My part was a laudation for the “best artist 2009″.
I will listen to a lot of “EM” stuff the next days, for sure 
It is like looking into my own past, the late 80s, as i was listening to the radioshow “Schwingungen” full of “classic” electronic music like Klaus Schulze, Tangerine Dream, Ashra and the like…
…to everyone!
And for those interested in fun stuff - a link to the 2009 x-mas video i did with a friend…
Hi to all and sorry for the enduring silence… i am quite busy with several projects right now and it is realistic to say that the remixes wont be released this year…
On the other hand i had some really cool ideas for new 2010 stuff for ROLF MAIER BODE…
Here is a full version of a wild elektro remix of CHALLENGE made by the two germans Elektricker. With vocals that include the german translation of CHALLENGE… Works best very loud
Using my analog hardware was a great joy during the album production, but i thought that it still could be improved. Each piece was directly connected to my audio interface and whenever i wanted to use two devices i had to go throgh ad/da conversion and was adding more latency… therefore i often didnt…
Because my working style is dependend on total recall i didnt need to put each device on a differnt track or bus an so i came up with the idea of an analog audio router. It can route audio from 2 different stereo busses to 5 stereo devices including a wet/dry mix stage and several other gimmicks…
Its the black 1RU piece of gear with the white LEDs under the blue germanium compressors. And it works great Now i can instantly try out different devices, combine them like a freak and drive everything a lot hotter… Including saturation to distortion of tubes, transformers and a variety of transistors.
before
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after
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I know that i will going to have a lot of fun with this little sucker
Its an old idea, of course, but several people have asked for it, so here wo go:
If you produce music and are interested in remixing a THIRTEEN STORIES song, then please mail me. Send a snippet of one of your productions in the style you intend to remix and some information about you. I will answer with further details, if the style fits the general scheme of the remix album
If you really like to remix a special THIRTEEN STORIES song, include that info too… I can and will provide samples/files for ANY of the thirteen songs.
ATTENTION all remixers *****************************************************************************
If you have finished a remix, please only mail it as an mp3 to me as a standard email with your full name… i will then listen to each remix and answer, but it may take some days… good luck
I tried some things, but those two ideas will be worth some further work to my mind.
I thought a deep, pumping style would fit best to the freaky voice of TRUTH AND LIGHT…
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And here is an idea for a remix of CHALLENGE…
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Don´t think this question is the same as “Whats your favourite”… keep in mind, that a remix often changes a lot… style, tempo, arrangement… so its rather about which song´s melody/theme/samples you would like to hear in a new style… and to make it a bit harder, you can only select ONE
Which Song of THIRTEEN STORIES should definitly be remixed
Total Voters: 152
…of THIRTEEN STORIES at the end of the year with - lets say 8 remixes by myself and some remixes by others - what kind of release would you support with your purchase?
Please be honest and vote only ONCE! It´s possible to vote for two answers, but be honest and do so only if you really would make two purchases of the same album (for example mp3 AND Vinyl)…
What kind of release would you support with a purchase?
Total Voters: 234
Creativity is by definition rather the breaking of than a set of rules. But there are rules with creative work that stood the test of time and are really making the creative process easier and more results oriented.
One fundamental rule in producing (and mixing) music is: Find the most important element of the song and emphasize it!
Many mixing and songwriting tricks are kind of “subtractive” to fulfil this rule. A great melody doesnt need dozens of notes. See if you still can cut down your songtext or your arrangement. Dont play the stuff that isnt helping the main element (or mix it really soft). Try to mute clashing instruments. Prefer subtractive EQ etc… A lot of producing and mixing is “taking away”.
And i had this song with too many elements. Several minutes of multiple tracks of edited synthetic percussion, a piano melody, string hits, an acoustic drumloop and two electronic drumloops, sampled string harmonies, a lot of sound effects, re-amped synths, loops and strings… and moreover i found that fat bassline… normally i had to trash half of it and split the rest between three songs… but i wondered WHAT WOULD IT SOUND LIKE to put it ALL IN…
It was a total mess For example there really are THREE drumloops playing at the same time… here is a snippet that plays them one after the other and then together with another bassdrum and a ride cymbal like in the final song…
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That was fun and i went on producing in such a “maximal” style… the number of elements is exceeding the number of elements in three normal electronic songs by far, but i liked it somehow… mixing wasnt easy, because conceptionally i didnt want to mix parts too soft… otherwise it would count as ALL IN 
Here are the elements of one part at the end of the song being played briefly one after the other - in the song they all play simultaniously of course…
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So it began as an experiment to break a firm rule of music production for the sake of creativity, but finally it became one of my personal favourite 5 of THIRTEEN STORIES.
